Traditional crop-and-mount scrapbookers use layering to create the desired look for pages by building from the lowest up. First the background paper, then the feature papers, photos, stickers, and any other embellishments. One big inequity between primary and digital scrapbooking is that fixing problems and correcting errors only requires a "delete" key, and not a "Do Over."
What is Layering?
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Just like primary scrapbooking, digital layering is a technical process where digitized images are located in front of or behind each other to create a sequence. Each image, either it's the basic background coloring, a photo, or an embellishment, becomes a layer. Each is its own digital file - it might be a.jpeg or.bmp, or other digitized image file.
While onscreen, the user can see each layer individually on one measure of the screen, as well as the interaction on another. When the user is ready to put everything together, the images are collapsed into a single layer which is then saved as a single image file.
This single file would equate to the accomplished page a primary scrapbooker creates. There are any layers, and the order in which they are stacked determines what pieces are hiding behind others or partially obscured, and which ones are at the forefront.
This collapsed single image file can then be printed as a completed single page.
What's the Big Deal?
The advantages here are many. First, no more throwing away partially constructed pages or mis-cropped photos. In addition, you don't have to plan your entire layout ahead of time - part of the charm of digital is trying it any ways to see what looks best.
And, it's hard to emphasize the level of control you get with digital editing ability.
For example, a digital image can be enlarged, shrunk, rotated, colorized, blurred, and any other amount of computerized manipulations. Any image can be edited in the discrete ways. So, a scanned copy of a newspaper record could be enlarged, the resolution improved, and the glow and inequity adjusted, just for starters. Photos can be altered to look like paintings. Color photos can be changed to black-and-white, or sepia aged. Really, the inherent modifications are endless.
If something doesn't work, all the user has to do is open the layers again, and make anything adjustments needed to make the final product look the way he or she wants.
The Drawbacks?
Potential drawbacks include the complexity of learning how to use the software program. My teenager has to show me again and again how to use the layers! Second, the issue of printing. Do you spend in a laser printer that prints the size pages you want? Or, do you ship the files off electronically and pay page by page for printing. Heads up, the costs add up here.
Your other viable digital options include uncomplicated pre-planned templated books like those ready from Snapfish or Shutterfly. These typically allow you minimal customization, but the drag and drop technology is fast and easy. Or, use a hybrid drag and drop digital layering product such as patrimony Makers, which gives you the simpler process but ample added creative control.
Kimberly Bates, The Scrapbook Muse
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